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Latest Articles

  • Plural India at Visual Arts Gallery from 18th to 23rd October
  • FLIGHTS OF FANCY: ABU DHABI ART – Rajesh Punj
  • THE VENICE BIENNALE – Uma Prakash
  • COMPANY PAINTING VISUAL MEMOIRS OF NINETEENTH-CENTURY INDIA- Gaurav Kumar
  • WHEN THE NEEDLE IS THE BRUSH: IN CONVERSATION WITH GOPIKA NATH -Gaurav Kumar
  • FLUID EMOTION: DISTILLED ECSTASY
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  • WEAVING AVANT-GARDE- – Krispin Joseph PX
  • EARTHLY MANIFESTATION OF LORD SRI VISHNU AT SRIRANGAM- Apurva Sinha
  • THE REVIVAL OF THE TRIBAL MANADANA ART OF RANTHAMBORE: Ensuring sustainable livelihood to the downtrodden tribal women painters- Prof. Dr. Chinmay Mehta
  • FEMALE BIOPICS IN INDIA: ALTERNATIVE NOTIONS AND NEGOTIATIONS – Saraswathy K Bhattathiri
  • EXPRESSIONS OF NATURE – Vikash Nand Kumar
  • Rita Jhunjhunwala presents a beautiful confluence of poetry and paintings in her solo exhibition ‘Bheegi Lakeerein’
  • People, Moments, Lives: Portraits by Sanjeet Chowdhury- Ranu Roychoudhuri
  • In Conversation with “FOREST MAN” Bulu Imam-Gaurav Kumar

HOMAGE TO SOMNATH HORE-Maneswar Brahma

Photo Essay March 1, 2022September 1, 2022 Art & Deal
Maneswar Brahma
Victim
Lithograph, 70 x 55 cms

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Needling the ‘WOUND’: Dilara Begum Jolly- Professor Lala Rukh Selim, Bangladesh
HOMAGE TO SOMNATH HORE-Veer Munshi

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